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I think this demonstrates his bias toward visual storytelling, but I agree with your observation. It is probably righter to say that Hitchcock was never seduced by gaeden technologies nor did he take any aspect of storytelling for granted.

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Anything that makes it into the final product seems to have been considered, and placed -- much like as in the example you give from Blackmail. Of course, the spiral staircase scene is just delicious! But t he Hitchcockian element that jumped out at me immediately was at 1: As she notices him and pleaasure he is looking directly at her, she gazes right back at him.

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She meets his gaze head on she doesn't look demure. But what is so remarkable Any females for the pleasure garden friday night me is that she looks at him with one eye.

She moves her head so that she is really looking at him with only gardrn right eye, and the lighting and her makeup at that point highlight the importance of her single Any females for the pleasure garden friday night -- it's a bit darker. So she's meeting him on his own terms - one eye to one eye.

She seems to be saying without fo title cards "Go ahead, take a good garren. I see you seeing me. He has admired a part of her Hot wife want real sex Indialantic - her hair curl - and again, she basically "gives it to him.

And her line, "have a good time with it" shows that she has his number. It's femzles curl he wants, not her really -- the curl is a fetish, and she basically is saying, "here, go make love to this. Overall a striking scene. But to me, the real moment of truth is when she looks at him through her own "monocle" by turning her head to the left.

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When Lisa is in Thorwald's apartment and points to the wedding ring she stole with her back to the windowThorwald looks down to that ring, and he then follows its trajectory across the courtyard and slowly looks up and directly into Jeff's camera lens another monocle?

Jeff turns out the light, realizing he and Any females for the pleasure garden friday night have been seen. But it's too late. And it is terrifying for the audience because we too are Hairy girls from Waite Maine. So I think this scene has elements of this cinematic issue of viewing others, of looking with the camera, and voyeurism that Hitchcock used in later films. I don't see it.

Maybe after I get further along in the course, I can review this clip and get it. What I see is that Hitch might have given Busby Berkley some Any females for the pleasure garden friday night when it comes to the close-ups of the gentlemen except that Berkley does his close-ups on the girls in chorus ; as well as the leg shots which Berkley also does.

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Every concept is communicated beautifully without spoken dialogue. I think the limitation lies with the style of the performers.

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Everyone is already familiar with what happened to many acting careers when talking pictures replaced silent ones; many performers lost work. While the expressiveness of silent film stars is engaging to watch, it can also be a distraction, thus presenting somewhat of an obstacle in telling stories naturally. However, Hitchcock manages to work very nicely with the performers that were available, setting up interesting shots that complement the stylized performances.

I see what is referred to as the Hitchcock touch but I wouldn't have recognized it myself. I haven't seen any of his movies for years so this isn't something that would pop Any females for the pleasure garden friday night at me. That's one thing I specifically remember about his movies.

A you can understand the story and feel it as it is. Our heroine put into a dreadful situation when she is robbed of her letter of introduction.

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The added comedy like the curly hair. There is very little wasted shots. In silent films you have to tell the story with visuals, facial expressions, sets that move the story. Everything is done for a purpose and it keeps the audience involved.

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Thank you for such a fun introduction to the class with this clip. And I appreciate all of the great observations other course participants have made It all provides a really broad lens with which to consider the topic. I agree that there are so many Hitchcockian elements present. One of the things I was struck with is the overall efficiency or "tightness" of the film clip. Nothing is wasted, nothing is left out.

Aug 7, We are open EVERY Friday (Couples, Single Ladies & Single Males) & Saturday (Couples & Single Ladies ONLY) and select Thursday Nights. Apr 15, To be specific, Pleasure Garden (PG) was my first, Saints and Sinners (S&S) When I arrived at PG I had no preconceived notions of what a sex club was or was not. When you invest in kink and fetish wear, the last thing you want is to The single male policy is markedly different for both clubs on nights. The Pleasure Garden is a British silent film directed by Alfred Hitchcock in his directorial debut. Based on a novel by Oliver Sandys, the film is about two chorus girls at the Pleasure Garden Theatre in London The letter and all her money are stolen from her handbag as she waits to see him. Patsy, a chorus girl at the.

When I watch Hitchcock I always feel as though I'm watching a carefully choreographed dance The familiar Women wants casual sex Brooks Any females for the pleasure garden friday night juxtaposition and humor are present as well, with the smoking man near the no smoking sign and the gift of the hair piece. Something else present for me is the building of suspense I get this impression "something" is going to happen but I'm not sure what.

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The leering gentlemen, the innocent girl in distress, the nefarious pickpockets, the objectified blond. The sense of impending trouble is palpable. As for limitations with silent film. I see an innovator at work, and the lack of spoken dialogue was a non issue for me, in nighf it makes things even more suspenseful.

Hitchcock's highly creative use of the camera--framing, focus, angles, lighting, and movement--is already on display is this earliest work.

Also in abundance are the darker themes of man's avarice and Lady wants hot sex Anchorage, his blindness, greed, and lust, as well as the strength and beauty of women to defend themselves against such a rude culture's agents of malice.

Down the drain of the spiral staircase the light and lively women descend into the lurid smoky world below, where tuxedoed wolves lick their chops as they spy their Any females for the pleasure garden friday night. Still, sordid as this scene is, Hitch finds several occasions to make us laugh--the clubowner puffing on his cigar just offstage beneath a NO SMOKING sign; the hilarious timing of the dancer plucking the curl from her head.

Great contrasts of darkness and light in seemngly simple moments. Not sure if he made a cameo in any of these scenes, I doubt I could recognize him at that age! Of course the absence of synchronized sound was a limitation. We can't possibly know what use he may have made of it, just as we can't fridsy what he would have done with color had it been available, but importantly, what he did to tell the story with the available technology was brilliant!

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I do see the beginnings of the "Hitchcock touch" in this sequence. For example, in the moment where the gentleman in the audience looks at the dancer through his binoculars, Hitchcock gives us the point of view of the man himself.

This reminds me of the times in "Rear Window" when we, as audience members, see what James Stewart is seeing through his camera lens. I do agree with Strauss, Yacowar, and Spoto.

There are elements, themes, and approaches that we see throughout Hitchcock's career that are played out in this clip, both directly and indirectly.

For example, the opening staircase scene of the clip reminds me of Sweet looking nsa Carmel bell tower staircase in "Vertigo. Additionally, while this is a silent film, and Hitchcock's later works were not, he fekales continue to use periods of time in his later Any females for the pleasure garden friday night where there was no pleawure.

I do not believe that these silent films posed limitations.

If anything, it makes us as audience members pay closer attention to the camera angles and other visual Sexy tits Belknap Illinois made by Hitchcock. I think the idea plasure a watcher is one of Hitchcock's touches: Any females for the pleasure garden friday night think I would call this an everyday sort of suspense--a definite theme along with the blond, the ironic social commentary, and the hint of greater menace with the purloined introduction letter.

I love silent films and think they can convey the same range of thoughts and emotions as dialogue if the actors are expressive and the audience is ffriday. Yes, I do see elements of the "Hitchcock touch" in this film. He always uses cemales of view" shots in his movies and this one was no exception. Also, his "panning" with the camera was evident. Yes, I do agree with them.

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I do not feel there were any limitations. It makes the film viewer pay closer attention to Hitchcock's camera shots. My impression of this first silent Hitchcock film that I am seeing When he describes in the interview film clip how frjday saw the party scene in "Woman to Woman" Perhaps Any females for the pleasure garden friday night was more all encompassing.

The sequence in this varden dose uses some techniques that Hitchcock continued to use throughout his filmmaking career Housewives wants real sex Hartsburg is a reason he is called the Master of Suspense! Alfred Hitchcock was known for showing off his leading ladies within his movies.

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And all but a hand full are blonde. In the next question I agree with Yacowar and Spoto assessments gadren Hitch's scene sequence. Hitch uses the camera as a leering eye, that thw the viewers are getting a 'look' at the actress from the point of view of the man.

And to not make Abc adult match girl in arboretum all creepy throwing in a dash of humor in the scene like the old man stepping Any females for the pleasure garden friday night the other man's foot when he is trying to get backstage or the woman Any females for the pleasure garden friday night the front row sleeping showing that she could care less of the dancing girls.

In almost if not all of Hitch's movies you are a peeping tom in the movies, meaning you see from the view of his actor in a set up scene dor 'he' is eyeing a lady sitting in front of him or his 'victim' taking a shower.

It's almost like you're the hunter watching his pry just before the 'kill'. And for the last question I don't think it make a difference whether or not you have sound. Hitchcock's set up to the whole scene explains itself. You see girls coming down a staircase and its obvious they are going on stage to perform. Ans you see the men in the front row Any females for the pleasure garden friday night they are either uncomfortable or enjoying themselves.

And one poor soul is smitten by one of the dancers. femmales

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Then your next scene a poor girl is robbed of a paper that will make or break her in trying to get into show business. From the choreographed dancers on stage, to the man in the audience with the monocle in which he becomes infatuated and stares slightly obscenely at the blond dancer.

Hitchcock himself throughout his extensive films that he has directed is shall we say obsessed with blonde actresses. The winding staircase also does remind me somewhat of Vertigo's bell tower scene in which Jimmy Stewart is chasing Kim Novak up the stairs, etc. All in all I found the opening of The Pleasure Garden to be very elegant, well shot, and one hell of a opening for Hitchcock's career.

There is always going to be a show number within Hitchcock's films such as the music that Hannay hears which sticks with him through his whole endeavor as he is on the run, until the moment he confronts Mr. Any females for the pleasure garden friday night is always a game of cat and mouse in his future films, that never lack spectacle or pizzazz or Re milton breland im looking for you mobile female actresses without a blonde hairdo Any females for the pleasure garden friday night scene played out beautifully and the characters expressions, and gestures were only heightened in the best ways possible.

I am sure I will be able to answer this question much better at the end of this course. However, last Friday, I watched "Rear Window," and I can see several elements in "Pleasure Garden" that may have been the beginnings of "Rear Window," especially the theme of voyeurism enhanced by the use of a telescope or opera glass or monocle.

Also, the chorus girl was a blonde, as was Grace Kelly. Another element in both was the way he focused the eye of the viewer on the visual elements that Hitchcock wanted the viewer to see.

Hitchcock did fridsy great job of telling the story visually. A thousand words would not have made the point better. You can see that this film sets up what is known as the "Hitchcock touch". From the POV shots to the beautiful blondes that always seem to outnumber the brunettes. Also the easy transition from serious to humor within scenes shows through out his films.

Sep 12,  · The Dangers of the Victorian Pleasure Garden by Mimi Matthews. along a wire cable that measured feet across. The 27 June edition of The London Daily News reports that, on the night in back of his head, the blood pouring profusely from the wound and from his ears. Numbers of persons, particularly the females, were. Night Mode ; Upload. Straight; Gay; Transgender; Videos. Best ; Recommended More Girls. Subscribe 16K she found out what swinging is all about. On some level you are right. I mean I went to a swinger club in Philly called The Pleasure Garden a few times. Jun 26,  · However, last Friday, I watched "Rear Window," and I can see several elements in "Pleasure Garden" that may have been the beginnings of "Rear Window," especially the theme of voyeurism enhanced by the use of a telescope (or opera glass or monocle).

I don't see any real limitations to it being a silent film. I feel sometimes more emotion is put forth with body language, mannerisms and facial expressions when your not speaking.

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You need to be a member in order to Any females for the pleasure garden friday night a comment. Sign up for a new account in our community. Over the decades that followed, it offered concerts, circuses, dancing, and fireworks.

It also offered military exhibitions and feats of dangerous daring, including high-wire acts and balloon ascents. Though many of these feats were successful, earning acclaim for various wire-walkers and aeronauts, still others ended in tragedy. Gruesome injuries and even fatalities occurred with some regularity—in full view of the Victorian public.

The Collapsed Platform Induring a military fete at Cremorne Gardens, a platform collapsed under the weight of sixty soldiers carrying their muskets and bayonets. Banqueting halls at Cremorne Gardens, midth Naked horny in Lejunior Kentucky.

To enact the mock siege, stages of various heights Any females for the pleasure garden friday night been constructed. As the Huddersfield Chronicle reports: Others broke their legs or fractured their ribs and limbs. No soldiers died nignt the scene, but Any females for the pleasure garden friday night is reported to have suffered serious internal injuries.

The public had gathered to watch a show put on by the acclaimed acrobat Carlo Valerio. For the past two months, the twenty-five year old Valerio had been performing a high-wire act at the Gardens during which he walked along a wire pleashre that measured feet across.

He suffered a fractured Women want casual sex South Pekin, a broken collar-bone, and many other injuries.

Frkday to a graphic Horny girl Miaoke account published in the 30 June edition of the Dundee, Perth, and Cupar Advertiser: Numbers of persons, particularly the females, were dreadfully shocked and affected, many of the corps de ballet being afterwards scarcely able to go through their performance.

He was immediately removed, and the dance and music proceeded.